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The Practice and Science of Drawing (Dover Art Instruction), by Harold Speed
PDF Download The Practice and Science of Drawing (Dover Art Instruction), by Harold Speed
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Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts.
In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training. Although not a technique book in the strict sense of the terms, The Practice and Science of Drawing brings to the beginner a clear statement of the principles that he will have to develop and their importance in creating a work of art. Ninety-three plates and diagrams, masterfully selected, reinforce Speed's always clear presentation.
Harold Speed, master of the art of drawing and brilliant teacher, has long been cited for this important work. For the beginner, Speed will develop a sense for the many different aspects which go into an artistic education. For the person who enjoys looking at drawings and paintings, Speed will aid developing the ability to see a work of art as the artist meant it to be seen.
- Sales Rank: #95619 in Books
- Brand: Books
- Published on: 1972-06-01
- Released on: 1972-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.00" w x 5.50" l, .90 pounds
- Binding: Paperback
- 400 pages
From the Back Cover
Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts.
In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training. Although not a technique book in the strict sense of the terms, The Practice and Science of Drawing brings to the beginner a clear statement of the principles that he will have to develop and their importance in creating a work of art. Ninety-three plates and diagrams, masterfully selected, reinforce Speed's always clear presentation.
Harold Speed, master of the art of drawing and brilliant teacher, has long been cited for this important work. For the beginner, Speed will develop a sense for the many different aspects which go into an artistic education. For the person who enjoys looking at drawings and paintings, Speed will aid developing the ability to see a work of art as the artist meant it to be seen.
Most helpful customer reviews
73 of 74 people found the following review helpful.
Very "theory" oriented but great read
By Fred Jones
If you're looking for a quick drawing book you can thumb through on the plane, this isn't it. However if you want a classical approach to drawing and painting theory, complete with very opinionated prose that teaches you the fundamentals of how drawing and painting should be - get this book. On a bookshelf filled with quick fixes and 30-second lessons on the go, Speed's drawing text is a welcome change. You'll read this again and again, gaining more knowledge out of it each time.
97 of 101 people found the following review helpful.
The Best Book on Drawing (theory)... Period.
By Phil Padwe
I'm now a professional illustrator and exhibiting fine-artist. But for 17 years... from adolescence on, I was a hobbyist... someone who just loved to draw. It was this book, INGENIOUSLY simple and straightforward in both it's presentation and elucidation of "how to see," which brought me from hobbyist, to professional. It's amazing because the book is about 100 years old (and is STILL in print, which should tell you something); but when you take into account he's passing on information that is 500 years old, gleaned from renaissance artists (it's no coincidence D�rer's sketch is on the cover) I guess 100 years isn't much. You never know, as an artist, when you'll have an "Aha!" moment and finally understand something which previously eluded you... that said, I learned more from reading this book than from thumbing through any of the other 50+ art-technique books in my collection (this is a book to be read... primarily text, not primarily illustrations). The information is timeless. The instruction is solid. Get this book. If like me, you're self-taught... and you already know how to draw... and are looking to hit the next level, it's invaluable. Or at least it was for me.
108 of 113 people found the following review helpful.
the best ever done in English
By Clem J. Robins
It's easy to pontificate and very, very hard to draw. Suspiciously absent from most books on drawing are drawings by the author. But Speed, a journeyman painter whose career bridged the 19th and 20th centuries, drew wonderfully well, and his drawings vindicate his ideas. Additionally, Speed's career embodies the best of the academic tradition and the then-contemporary discoveries of the Impressionists. His assessment of Monet has stood the test of time, as have his splendid instruction on the nuts and bolts of drawing. If you can only have one book on drawing -- and I have a vested interest in this area -- Speed's is the one to get.
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